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The UK has rejected India's fresh demand to return its priceless artifacts like "Kohinoor Diamond" and "Sultanganj Buddha" that were stolen, looted or smuggled during British colonial rule, citing a law (British Museum Act 1963) that prevents it from giving back the items. The Archaeological Survey of India (ASI) is planning to join a campaign with the support of UNESCO and other countries to regain the artifacts.[when?]
The Yale case has also paved the way for Peru to reclaim objects from around the world, including a collection of Paracas textiles, which the city of Gothenburg, Sweden, is in talks to return. “Their concern is how are these pieces going to be taken care of” if they leave Sweden? Mr. Castillo said. “It’s a legitimate concern,” he added. “The point is that Peru is ready.”
"The government, the legitimate government of Greece gave permission for those to be taken at the time - now, it was a Turkish government of occupation, you could argue, but it was legally done," said Kimerly Rorsarch, director of the Seattle Art Museum and president of the Association of Art Museum Directors. "There's documentation, permission was given. They were openly removed, they weren't dug up out of the ground clandestinely. You know, how do you go back? I mean, throughout history, wars, disruption, things have changed hands in distressing ways."
Few repatriation cases have been as contentious as that of the Euphronios krater, a red-figure vase hailed as one of the few extant masterpieces by the ancient Greek artist Euphronios, which is also a cautionary tale about looting. Found in 1971 in illegal excavations in an Etruscan tomb in Cerveteri, north of Rome, the vase was bought by the Metropolitan Museum of Art in New York in 1972 from an antiquities dealer. For years, it was on display there, admired by millions of visitors.
The Palladion was the earliest and perhaps the most important stolen statue in western literature. The small carved wooden statue of an armed Athena served as Troy's protective talisman, which is said to have been stolen by two Greeks who secretly smuggled the statue out of the Temple of Athena. It was widely believed in antiquity that the conquest of Troy was only possible because the city had lost its protective talisman. This myth illustrates the sacramental significance of statuary in Ancient Greece as divine manifestations of the gods that symbolized power and were often believed to possess supernatural abilities. The sacred nature of the statues is further illustrated in the supposed suffering of the victorious Greeks afterward, including Odysseus, who was the mastermind behind the robbery.